Chaekgeori
책거리병풍
Books, scholar's accouterments
Paintings of books, valuable ceramics and scholar's accouterments. Some of area has damaged.
책·책갑·병·화병·화로·경대·석류·회중시계·벼루·붓·붓통 등을 그림. 그림 일부는 훼손된 곳 있음.
Unidentified Korean artist
National Folk Museum of Korea<br />국립민속박물관<br /><br />http://www.nfm.go.kr/Others/search_solo.jsp
Ⓒ 국립민속박물관. All Rights Reserved
Four folding screen
Painting
소장품번호 민속 016419
Chaek-002
Ship jangsaeng do
십장생도(十長生圖)
Ten items symbolizing longivity - mushroom of eternity, deer, crane, bamboo, cloud, sun, rock and pine tree.
Paintings of ten items symbolizing longivity. Rocks are placed around the edge of the painting and the big pine tree is painted in the center. The mushroom of eternity, crane, bamboo, cloud and sun is in the painting.
장수를 상징하는 십장생을 그린 그림. 지본채색(紙本彩色). 액자형(세로 155.6, 가로 74). 가장자리에 암석을 배치하고, 그 안에 커다란 소나무를 그려 넣음. 주변에 불로초와 사슴·학·대나무·구름·해 등의 십장생이 어우러져 그려짐. 뒷면 상단에 쇠로 된 고리가 달려 있음.
Unidentified Korean artist
National Folk Museum of Korea <br />국립민속박물관 <br /><br />http://www.nfm.go.kr/Others/search_solo.jsp
Ⓒ 국립민속박물관. All Rights Reserved
Ink and color on paper
Painting
소장품번호 민속 031254
Shipjang-002
Chochungdo
초충도
草蟲圖
Flowers, vegetable, and insects
This painting is part of eight folding screen. The painting depicts egg plant and butterflies along with bees and other insects harmoniously though out the space.
이 작품은 여덟 폭 병풍의 초충도 중 하나이다. 가지와 나비, 벌 및 개미와 여치의 표현에서 섬세한 필선, 선명한 색채, 안정된 구도 등을 보이는 훌륭한 작품이다.
신사임당(申師任堂, 1504-1551)은 이이(李珥)의 어머니로 조선 초기의 대표적인 여류화가이다. 시∙글씨∙그림에 모두 뛰어났고 자수도 잘 하였다. 그림에 있어서는 산수, 포도, 대나무, 매화, 그리고 화초와 벌레 등 다양한 분야의 소재를 즐겨 그렸다. 산수에 있어서는 안견(安堅)을 따랐다고 전해진다. 이러한 초충도는 신사임당의 작품이라고 전해지는 것이 많으며, 후대에 자수본(刺繡本)으로 많이 이용되었다.
Shin Saimdang
전 신사임당(傳 申師任堂)
National Museum of Korea <br /><br />http://www.museum.go.kr/site/main/relic/search/view?relicId=2061
1504-1551
Park Chung-hee
박정희(朴正熙)
Ⓒ NATIONAL MUSEUM OF KOREA
Eight folding screen
Painting
소장품번호신수(新收)-003550-000
Chochung-003
Hwajo Munjado
화조문자도 8폭 병풍(花鳥文字圖八幅屛風)
Birds and flowers with eight letters of Confucian virtues
This eight panel paintings shows combination of Hwajodo and Munjado. Top parts are flowers and birds painting and bottom parts are eight Chinese characters of Confucius virtues.
화조(花鳥)와 문자(文字)를 함께 그려 놓은 그림. 지본채색(紙本彩色). 8폭 병풍(세로 170.7, 가로 356). 아래쪽에는 '孝·悌·忠·信·禮·義·廉·恥'의 윤리문자도를 배치하고, 위쪽에는 화조(花鳥)를 그려 넣은 2단 구조임. 문자도는 글자획을 상징물로 대체한 형식에, 글자 내부를 꽃과 식물문양으로 장식함. 각 폭마다 영지와 봉황, 소나무와 학, 모란, 국화, 복숭화꽃 등이 그려짐.
Unidentified Korean artist
National Folk Museum of Korea <br /><br />http://www.nfm.go.kr/Data/colSd_new.jsp
Ⓒ 국립민속박물관. All Rights Reserved
Eight folding screen
Chinese
Painting
민속 029049
Munja-002
Flower and Bird Screen (Hwajodo Byeongpung), 화조도 병풍
Flowers and birds
10-fold flower and bird screen, depicting pairs of birds amongst flowers including cranes and plum blossom and ducks and lotus flowers, Korean, late 19th century.
Unidentified Korean artist
Victoria and Albert Museum<br /><br />http://collections.vam.ac.uk/item/O22452
1880-1910
© Victoria and Albert Museum, London 2017. All Rights Reserved
10 fold screen; paper, silk and wood
Painting
Museum number: FE.21-1991
Hwajo-004
Golden Cock and Hen
Cock and Hen with landscape
Paintings of auspicious symbols were popular in the late Joseon period among all classes of society. This scroll represents a combination of two established themes in Korean painting: birds and flowers and the ten symbols of longevity—sun, mountain, water, rock, cloud, pine tree, tortoise, crane, deer, and mushroom of immortality. This work depicts a golden cock perched on a paulownia tree under the sun and clouds, and a golden hen looking up from her place on a rock with sprouting red mushrooms of immortality. Splashing waves create drama. This pair of fowls seems to allude to the golden pheasant (which despite the name has a reddish body with a yellow crest), which is associated with good fortune.
Auspicious creatures such as tigers, dragons, cranes, and deer appeared on a range of media in the Joseon period, attesting to the importance and prevalence of these symbols in Korean culture.
Unidentified Korean artist
Metropolitan Museum of Arts <br /><br />http://www.metmuseum.org/art/collection/search/40073
19th century
Rogers Fund, 1919
Hanging scroll; ink and color on paper
Painting
Accession Number:19.103.2
Hwajo-001
Pictorial Ideographs (Munjado) of the Eight Confucian Virtues
Eight confucian virtues
Mounted on each side of this screen are unrelated paintings: on one side is a set of the eight Confucian virtues, and on the other a Mongolian hunting scene. Pictorial Ideographs (Munjado) of the Eight Confucian Virtues In pictorial ideographs, called Munjado, calligraphic paintings of Chinese characters are integrated with images that relate to the characters’ meaning. Sets featuring the eight Confucian virtues were popular, which demonstrates the importance of Confucian ideas and practices during the late Joseon period. Always appearing in the same order, the eight Confucian virtues are, from right to left, filial piety, brotherly love, loyalty, trust, propriety, righteousness, integrity, and sensibility. Often displayed in a child’s room, the images were didactic and intended to inspire proper values. The pictorial illustrations generally refer to well-known historical stories or legends. Although the characters and their related stories are based on Chinese classics, the aesthetics and design elements are purely Korean. For example, the way in which the a single image is used in the composition as a signifier for a complex story is unique to Korea. In addition, sets featuring all of the eight virtues are distinctly Korean in taste: in China, the individual characters for longevity (shou) and fortune (fu) were consistently the most favored subjects and were usually presented in a hanging scroll format. Although there are many known screens illustrating the eight virtues, LACMA’s example is distinctive because each panel also includes four lines from proverbs related to each virtue. The artist arranged the characters and their visual elements with great harmony, embedding the images with two different techniques: in some characters, the images completely replace a character stroke, while in others, the pictorial elements appear inside an existing stroke.
Unidentified Korean artist
Los Angels County Museum of Art<br /><br />https://collections.lacma.org/node/170471
19th Century
Gift of Ann and Jack Levine
Ten-panel screen, ink and color on silk
Chinese
Painting
M.87.267
Munja-001
4 Works: Birds and flowers
Birds and flowers
Paintings of flowers and birds from late 19th-early 20th century by unknown Korean artist.
Unidentified Korean artist
MutualArt Services, Inc. <br /><br />https://www.mutualart.com/Artwork/4-Works--Birds-and-flowers--Hwajodo-/9579AD6DCC0DBED6
Late 19th-early 20th century
© 2017 MutualArt Services, Inc.
4 panel paintings; ink and color on paper
painting
9579AD6DCC0DBED6
Hwajo-002
Books and Scholars' Possessions
Books and scholars' posessions
Paintings of Scholar's accouterments in Ten-panel folding screen; ink and color on silk by unknown Korean artist. Paintings of Distinctive objects appearing in this screen include (from right to left) three peacock feathers in a vase (panel 3), monochrome ink landscape paintings (panels 2 and 5), gold-painted black porcelain (panels 4, 7, and 10), a game board (panel 6), and a pendulum clock with Roman numerals and letters (panel 10). Two auspicious Chinese characters are repeated on vessels throughout the screen, one for longevity (壽 su in Korean; panels 1, 2, 8, and 9) and one for good fortune (福 bok in Korean; panels 1, 7, 9, and 10).
Unidentified Korean artist
The Metropolitan Museum of Art<br /><br />http://www.metmuseum.org/art/collection/search/73134
Early 20th century
Purchase, Shelby White Gift, 2005
© 2000–2017 The Metropolitan Museum of Art. All rights reserved.
Ten-panel folding screen; ink and color on silk
Chinese
Painting
Accession Number: 2005.385
Chaek-001
Tiger and Magpie
Tiger, magpie and pine tree
A small tiger with striped fur and a long tail curving around the lower portion of the picture is seated with its body facing to the left and its head towards the right. The tiger appears to be looking at two magpies perched in the branches of a pine tree in the top right-hand side of the picture.
Unidentified Korean artist
Victoria and Albert Museum <br /><br />http://collections.vam.ac.uk/item/O22243/tiger-and-magpie-painting-unknown/
1850-1910
Purchased with the help of Museum colleagues in memory of Lisa Bailey (1964-1996), Curator of Korean Art 1994-1996
© Victoria and Albert Museum, London 2017. All Rights Reserved
Black ink and colors on paper
Painting
Museum number: FE.69-1997
Hojak-002